It’s been about two months since I’ve written a music review. It isn’t that I haven’t been picking up new music, it’s just that I haven’t
been inspired to write about any of the albums I’ve been listening to. I may try to sneak in a general summary of the albums I’ve had on rotation lately next week, but I finally found some inspiration in the new Mumford album.
It’s no secret I enjoyed the last album. I listened to it fairly regularly up until I got tired of hearing it consistently on the radio. I even saw them live at one of the most frightening concert going experiences I’ve ever had. This includes being punched in the head at a metal show in college. Whatever the case may be, I have enjoyed their emotional brand of banjo laden folk rock. Perhaps that is why I’m surprised at how conflicted I am over the new album and any subsequent albums moving forward.
Generally speaking the last album was met with praise. It seemed like Mumford was filling a void in the music realm that many thought was lacking. Sure there were other acts out there more deserving of the honor of being the pioneers of the folk genre, but they were the band that many locked onto. So, when they went back to the studio to work on their next album, did they think of how they could push the limits and reinvent the genre? No, they went out and produced an album that the masses would buy. Not every band is looking be Radiohead or produce St. Pepper’s Lonely Hearts Club Band. Some bands are just happy to have fans and keep playing the style of music that got them famous. There has to be a reason Nickleback is one of the biggest bands on the planet right now. Regardless, they stuck to their formula.
If you’ve never noticed the Mumford formula you need to put on one of their songs right now. Most likely it started kind of slow, there are a few that get that banjo going right away, but most likely it started slow. Some where along the way, most likely before the chorus, there was a big build up of the tempo of the music, the introduction of the banjo, and the song took off at a frantic
pace. If the song started slow you thought, “Wow, that was a big emotional build-up. I feel so alive!” However, they aren’t done with the emotional roller coaster that is their music just yet. Somewhere half way through the song, they get quiet again and reenact their previous build-up. The song may end upbeat or quiet. Either way, they have taken you through a range of emotions. The problem there is if you notice the pattern. Instead of enjoying the ride, you feel the monotony of the pattern.
Sorry I didn’t mean to get off on a rant here. I did actually intend to review the new album.
The album starts off with the title track off the album: “Babel”. Although it is certainly a prototypical Mumford song that follows the exact formula I just spoke of, I do like the ferocious beginning. Perhaps it was taking a break from Mumford for a while, but I found it to be a really fun song. I do laugh when I hear lead singer Marcus Mumford pronounce babel like table. I’m not sure if that is a foreigner thing or not. The next two songs certainly keep moving right on along with the typical Mumford formula. The banjo line in “Whispers in the Dark” makes me smile for sure. I like the harmonizing and quick pace of the song, but the banjo makes me think the banjo player should be jumping around barefoot with his overalls on at a hoedown somewhere. Of course, “I Will Wait” has a pretty similar effect with the banjo as well.
“Ghosts That We Knew” is probably the first song on the album that has me thinking Mumford can vary it up slightly. The song starts off low-key and pretty much stays there most of the time. It has a much more quiet and powerful feel to it. I think “Lover of the Light” is probably my favorite song on the album. The tone and tempo seem different from some of the other things Mumford has tried. I actually listened to this album while running the other day and this song reminded me of some of the material on the
“Into the Wild” Soundtrack. It has that exploration and west ward expansion feel. I do get a little disappointed by Mumford throwing their formula into it, but I still really like it.
I think “Hopeless Wanderer” may be the most frustrating song on the album for me. I want to like it; however, it feels like they try to employ the formula over and over and over again in it. I do like that is has three different tempos to it, but it seems somewhat disjointed in how they set them up. It starts quiet, gets somewhat frantic and emotional, breaks into a steady strumming of melody, drops back into a harmonized quiet part, and then breaks into the real breakdown with the inclusion of the quick banjo line. I can’t help but feel like this song was a cut and paste job. They wanted to do their formula, but they liked two different emotional pick up parts, so they just used both.
I understand I sound like I’m somewhat bashing Mumford and their ways, and I probably am to some degrees. I think they produced an album with a lot of good songs on it, I just wish it wasn’t so predictable. If you think I’m making this up, put on the first three songs on the album. Each one of them has a part in the middle where they get quiet just to bring it back up to the emotional breakdown. If you’re like me, you may actual become frustrated when you come to realize that every song follows a similar pattern.
I’m sure I’ll continue listening to this album for a few weeks. I may even listen to a few songs longer than that, but I just don’t think Mumford can go out there and assume their fans won’t notice this pattern in each of their songs.
Teacher Grade: C (because I’m still a sucker for the pattern at times)

a whole lot more effort into reviewing an album than a beer. Not sitting in front of a computer or working in a place where I could really listen to an album for review makes it difficult for me to fully listen to and appreciate what I’ve picked up recently. Then an album comes out that I have been looking forward to for months, and I can’t help but find time to listen to it. Last week, while sitting on the beach, I listened to a few albums nearly every day. So here comes the first music review in months.
seems like something of the very distant past. Being a school teacher it is certainly a bit of a different time in schools when it comes to distractions. Kids come into school with their headphones on, they complain when you ask them to take them out or turn it off, they lie that it isn’t plugged in or turned on, and they want to wear the headphones around their neck as a fashion statement. If that isn’t enough, I have to tell kids to put them away, and I have to watch out for sweatshirts that disguise the headphones in the actual hood drawstrings. It’s a crazy time period. Thinking of my other job, I watch kids come in with their parents totally ignoring family time to listen to their music. I’ve had kids put on their pandora app at the table so they have music they want to hear, and I’ve watched families sit through entire meals without speaking to each other. It’s a strange new world we’re moving into and, while I may sound really annoyed at the state of the world, I’m loving this new technology.
crazy advance in the portable music industry. I didn’t need the binder anymore, now I could carry hundreds of albums in this compact device. Of course, with the advance in technology came a different type of responsibility. Now I had to be much more careful with the device. I managed to only purchase one Walkman and one discman in my life, but in the span of 8 years, I have gone through 4 different Ipods.
been almost twenty years since I was there. I can remember being really happy about the new Foo Fighters album coming out then, as well as, more than a few other albums that I still love today. It’s funny to watch how those bands have developed and changed over the years since I first started to enjoy them. I can still remember our eighth grade trip where we seemed to just pass around a couple cd’s amongst a few of us. We were listening to Nirvana, Rage Against the Machine, 311, and Offspring. Two of those bands don’t make music together anymore, but there are two others that still do. I don’t really listen to 311 or Offspring at all anymore but, as I said last week, I catch a few new songs from them on the radio. It’s the new Offspring song that influenced my thoughts for this post this week.
really be pushing for mainstream success with songs like “Pretty Fly for a White Guy” and “Original Prankster”. They certainly lost any remaining true punk fans they had with that one. Some of their newer stuff like “You’re Gonna Go Far, Kid” seemed to bring them back into a slightly more punk feel, but they had that Rise Against rock feel to it still. This leads us to the latest singles they have coming out.
major role in my life for years. I set out trying find different styles and bands that I loved; however, as I’ve gotten older I’ve realized that I just don’t really enjoy some of this stuff the same way I used to. Regardless of that, I decided that I wanted to head out to the second day of Bamboozle in Asbury Park NJ this past Saturday. While there were 30 or so bands and groups I didn’t know performing, the headliners were the ones I was set on seeing. I have managed to drag my wife into this love of music back when we were dating. Ultimately, I got her super hooked on Jimmy Eat World. We’ve seen them two or three times since getting married, but I saw they were playing this festival, so I knew we needed to go. The other headliners that were playing were Foo Fighters, Blink 182, and All American Rejects. Having never seen Blink I was really excited to see them, but they got sick so My Chemical Romance took over. Definitely less excited about them, but I thought they’d put on a good show.

The best place to start with Alabama Shakes is their first single/song on the album: “Hold On”. This is the song that they are performing on late night talk shows, and they have a video for it as well. As I said earlier, Howard pours herself into many of these different songs, and it definitely comes out in full force on this song. The song starts off simple enough. The beat the drums keep, the pretty simple melody the guitars have, and the steady bass don’t deviate much until near the end of the song. It is really Howard’s voice that stands out here. She has the ability to sing, “scream”, and put emphasis on things so you can see her passion here. The lyrics of the song are pretty simple as well, but the power lies in how she sings it. She seems to be singing about struggling to make it out of some kind of difficulty. Her lyrics, “Bless my heart, Bless my soul / Didn’t think I’d make it t0 22 years old / Must be someone, up above / Saying come on Britney, you gotta come on up / You gotta hold on”, seem really personal. I especially like how she throws her own name in there as well. It’s like she wants you to know she is struggling to hold on. The emotion she contains in her voice only continues to come out even more as the song breaks into organized pandemonium near the end of the song. Watch the video below!
mind some type of 50′s sock hop song. I always manage to get the dance scene from the first Back to the Future movie in my head when I listen to this song. It’s a much more laid back song, and it’s message is simply to take it easy and have fun. It’s real catchy and much more relaxed than some of the other material. ”Goin’ To The Party” is one of the stranger songs on the album for me. It has more of a narrative to it about heading to a party. They warn or entice you to go because there is going to be dancing and a fight as well. The tempo of the song is definitely different from anything else on the album, and I do have to be in the mood for it. I can’t help but think this is a slightly comedic song. Britney warbles, “Gotta take me home now, know you ain’t drinking water / Gotta take me back, cause I’m still somebody’s daughter”. The lyrical content and delivery are just so much different from anything else on the album.
listening to his music. In college, my friend and I started to hunt down different vinyl we thought we would enjoy. It was at that time I ended up picking up a bunch of different classic Springsteen records and ultimately loving his stuff. Therefore, when this one came out, I had to jump on it right away. Bruce’s music always sounds like Bruce, but he manages to put a different spin on it in different ways. I don’t know if he has ever had so many songs that have such an Irish country feel to it; however, I like it. His voice works really well with the style. The title song, “Wrecking Ball”, is one of my favorite songs on the album. It has some great NJ references to it that give me some pride that Jersey Shore took from me. There are, unfortunately, a few songs I’m not really all that into. ”Rocky Ground” is a somewhat boring song, and it has a little R&B breakdown in it that I find rather annoying as well. Bruce needs to stick to what he’s good at. Additionally, I can’t help but think “Swallowed Up (In The Belly of The Whale)” is too boring as well. Thankfully there is enough good real Springsteen material for me to still enjoy this record on the whole.
Justin Townes Earle –
talking about them for months, then I caught the video randomly on TV a few times, and I finally saw a favorable review on another resource. I figured I needed to give them a chance. This band comes from Iceland who has also given us great acts like Bjork and Sigur Ros, so I was even more interested in them for that reason. Good music seems to come out of this strange little country. They provide a really big full sound on all of their songs, which I really like about what they do. I also appreciate the fact that they have both a male and female lead for the band. They tend to lean more on their female lead, but it gives them a lot of ability to harmonize on nearly every song. Of course, every member seems to get in on the chants which they seem to include on a whole lot of songs. I’m not sure how I feel about that, but I think it adds to that full sound. ”Little Talks” is the lead single off the album, and it may be slightly misleading to someone new to the band how uptempo most of their material may actually be. ”Little Talks” is definitely the fastest song on the entire album. The other songs provide some really full, slightly ambient music with some great harmonized singing. They kind of remind me of The Head and The Heart with less folk influence.
The Decemberists – 


there, but I really think you could just throw Grohl in there by himself. The Foo Fighters have been one of the few consistently strong bands for over the past 15 years. His role in Nirvana can never be understated; even though I’m really not a huge fan of them. And, he has done some great work for Queens of the Stone Age and Them Crooked Vultures. Having recently seen Foo Fighters in concert, Grohl embodies what it means to be a rock star. He loves to play music, and he tends to create pretty good music too. Plus, he is really talented.
of rock and roll for a while, and I think White is a musical genius. He has been a part of some amazing bands over the past few years. I wasn’t a huge fan of The White Stripes when they first came out, but they managed to win me over as new albums continued to come out. The Raconteurs are a great band that produce music more in line with folk rock, and The Dead Weathers seem to be his punk rock outfit. He can never be really defined by a style or genre of music. He does a lot of them, and he does them really well. I’m really interested to see his new solo stuff come out. Hopeful it won’t be a career killer like some people’s solo efforts.
Deer Tick –
perform on a few award shows, and I had heard a few songs on the radio, but I was really surprised when I started to see this album pop up on some lists. I try to not be too elitist when it comes to my music selection, but I don’t normally trust it when the mass media is hyping an artist. I mean, they also hype Ke$ha! I finally bit the bullet and went for it on this one. This woman really can sing. Most of the songs are quite catchy and impressive as well. There are a few that I get a little tired of and skip, but I am definitely becoming a fan of both Florence and the Machine. I may have to go back and see if I really like the last album as well.
originally. I’m basically only mad because I am certain that this one would have made it on my top 10 from last year. This one definitely beats out a few of the albums I put up there. I think I may have delayed because I saw something about it being heavy on electronics. With the whole dubstep movement and everything right now, I tend to be doubtful when I see people hype a band as electronic. This girl is crazy though. There are times where the music slightly reminds me of Vampire Weekend, and there are other times where her sound reminds me of Bjork. Ultimately, she has a sound all her own. The thing that really put me over the top on her was seeing her performance on Jimmy Kimmel. There are some artists that can do something new and fresh and make it amazing, and she is one of those people. I of course attached the video below, so you need to see what I’m talking about if you don’t know.